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Title:Hollywood's Copyright Wars: From Edison to the Internet
Format Type:Ebook
Author:
Publisher:Columbia University Press
ISBN:0231501463
ISBN 13:
Number of Pages:304
Category:Non fiction, History, Law

Hollywood's Copyright Wars: From Edison to the Internet by Peter Decherney

PDF, EPUB, MOBI, TXT, DOC Hollywood's Copyright Wars: From Edison to the Internet Copyright law is important to every stage of media production and reception It helps determine filmmakers artistic decisions Hollywood s corporate structure and the varieties of media consumption The rise of digital media and the internet has only expanded copyright s reach Everyone from producers and sceenwriters to amateur video makers file sharers and internet entrepreneurs has a stake in the history and future of piracy copy protection and the public domain .

Beginning with Thomas Edison s aggressive copyright disputes and concluding with recent lawsuits against YouTube Hollywood s Copyright Wars follows the struggle of the film television and digital media industries to influence and adapt to copyright law Many of Hollywood s most valued treasures from Modern Times to Star Wars cannot be fully understood without appreciating their legal controversies Peter Decherney shows that the history of intellectual property in Hollywood has not always mirrored the evolution of the law Many landmark decisions have barely changed the industry s behavior while some quieter policies have had revolutionary effects His most remarkable contributions uncover Hollywood s reliance on self regulation Rather than involve congress judges or juries in settling copyright disputes studio heads and filmmakers have often kept such arguments in house turning to talent guilds and other groups for solutions Whether the issue has been battling piracy in the s controlling the threat of home video or managing modern amateur and noncommercial uses of protected content much of Hollywood s engagement with the law has occurred offstage in the larger theater of copyright Decherney s unique history recounts these extralegal solutions and their impact on American media and culture

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Teaching Film, Hollywood: A Very Short Introduction, Stuart Hall Lives: Cultural Studies in an Age of Digital Media, Hollywood's Copyright Wars, The Future of Internet Policy, Hollywood and the Culture Elite: How the Movies Became American, Iranian Cinema in a Global Context: Policy, Politics, and Form
Iranian films have been the subject of much critical and scholarly attention over the past several decades and Iranian filmmakers are mainstays of international film festivals Yet most of the attention has been focused on a small segment of Iranian film production auteurist art cinema Iranian Cinema in a Global Context on the other hand takes account of the wide range of Iranian cinema from popular youth films to low budget underground films The volume also reassesses the global circulation of Iranian art cinema looking at its reception at international festivals in university curricula and at the Academy Awards A final theme of the volume explores the intersection between politics and film with essays on post Khatami reform influences representations of ineffective drug policies and the representation of Jewish characters in Iranian film Taken together the essays in this volume present a new definition of the field of Iranian film studies one that engages global media flows transmedia interaction and a heterogeneous Iranian national cinema, In this engaging and readable book Peter Decherney tells the story of Hollywood from its nineteenth century origins to the emergence of internet media empires He recounts how the studio system rose out of the ashes of Thomas Edison s trust to create the handful of companies that have dominated global screens and imaginations for more than years Throughout he reveals that the elements we take to be a natural part of the Hollywood experience stars genre driven storytelling blockbuster franchises etc are really the product of cultural political and commercial forces br In many ways Hollywood has remained the same for over a century It has always been a global industry based in the U S and its storytelling has always unfolded across media adapting plays book and comics and spinning off product tie ins television series and social media campaigns But major events have also continually remade Hollywood The studios have weathered wars disruptive new technologies and competition by adopting a strategy of risk management and assimilation This book explores the challenges of new technologies including sound home video and computer graphics And it examines Hollywood s responses to World War II independent film movements and regulations imposed by Washington br Hollywood A Very Short Introduction is filled with discussions of well known movies stars and directors encapsulating the past century of research on Hollywood while adding many original insights and stories It is the perfect introduction for readers who want to better understand the history and functioning of our screen saturated world br ABOUT THE SERIES br The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area These pocket sized books are the perfect way to get ahead in a new subject quickly Our expert authors combine facts analysis perspective new ideas and enthusiasm to make interesting and challenging topics highly readable, Copyright law is important to every stage of media production and reception It helps determine filmmakers artistic decisions Hollywood s corporate structure and the varieties of media consumption The rise of digital media and the internet has only expanded copyright s reach Everyone from producers and sceenwriters to amateur video makers file sharers and internet entrepreneurs has a stake in the history and future of piracy copy protection and the public domain br br Beginning with Thomas Edison s aggressive copyright disputes and concluding with recent lawsuits against YouTube Hollywood s Copyright Wars follows the struggle of the film television and digital media industries to influence and adapt to copyright law Many of Hollywood s most valued treasures from Modern Times to Star Wars cannot be fully understood without appreciating their legal controversies Peter Decherney shows that the history of intellectual property in Hollywood has not always mirrored the evolution of the law Many landmark decisions have barely changed the industry s behavior while some quieter policies have had revolutionary effects His most remarkable contributions uncover Hollywood s reliance on self regulation Rather than involve congress judges or juries in settling copyright disputes studio heads and filmmakers have often kept such arguments in house turning to talent guilds and other groups for solutions Whether the issue has been battling piracy in the s controlling the threat of home video or managing modern amateur and noncommercial uses of protected content much of Hollywood s engagement with the law has occurred offstage in the larger theater of copyright Decherney s unique history recounts these extralegal solutions and their impact on American media and culture, Film studies has been a part of higher education curricula in the United States almost since the development of the medium Although the study of film is dispersed across a range of academic departments programs and scholarly organizations film studies has come to be recognized as a field in its own right In an era when teaching and scholarship are increasingly interdisciplinary film studies continues to expand and thrive attracting new scholars and fresh ideas direction and research br Given the dynamism of the field experienced and beginning instructors alike need resources for bringing the study of film into the classroom This volume will help instructors conceptualize contemporary film studies in pedagogical terms The first part of the volume features essays on theory and on representation including gender race and sexuality Contributors then examine the geographies of cinema and offer practical suggestions for structuring courses on national regional and transnational film Several essays focus on interdisciplinary approaches while others describe courses designed around genre film noir the musical mode animation documentary avant garde film or the formal elements of film such as sound music and mise en sc ne The volume closes with a section on film and media in the digital age in which contributors discuss the opportunities and challenges presented by access to resources media convergence and technological developments in the field